Rules of the Road

 

IV. Three things the Pilgrim must avoid. The wearing of a hood, the veil which hides his face from others; the carrying of a water pot which only holds enough for his own wants; the shouldering of a staff without a crook to hold.

V. Each Pilgrim on the Road must carry with him what he needs: a pot of fire, to warm his fellowmen; a lamp, to cast its rays upon his heart and show his fellowmen the nature of his hidden life; a purse of gold, which he scatters not upon the Road but shares with others; a sealed vase, wherein he carries all his aspiration to cast before the feet of him who waits to greet him at the gate—a sealed vase.

VI. The Pilgrim, as he walks upon the Road, must have the open ear, the giving hand, the silent tongue, the chastened heart, the golden voice, the rapid foot, and the open eye which sees the light. He knows he travels not alone.

[Alice Bailey, extract from The 6 Rules of the Path (Rules of the Road). From ‘Glamour: a world problem‘, section 1]

Image C L Barton 2019 all rights reserved

The Glamour of Authority

‘The Glamour of Authority is a mass glamour in most cases. It has its roots in mass psychology and is one of the indications that humanity is at the nursery stage as yet, wherein men are safeguarded from themselves by the imposition of some rule, some set of laws, some authoritative dictum, emanating from state control, from the rule of an oligarchy, or from the dictatorship of some individual. It reduces mankind, as far as one can judge, to set forms and standardises men’s activities, regimenting their lives and work. It is imposed and ordered through catering to the fear complex, rampant in humanity at this time; and this fear is one of the most fruitful sources of glamour which we have. We might perhaps and with reason regard it as the seed of all glamour upon our planet. Fear has been the incentive to those conditions which have brought about the glamour of the astral plane, though not the illusions of the mental levels of consciousness.’

[Alice Bailey, ‘Glamour: A World Problem’: section one]